THE HALF-TIME CABARET BIT
(Scratchy orchestral fanfare... You know how it goes! An appalling song and dance troupe, a bit like the so-called 'Young' Generation on some early seventies Rolf and/or Anita Harris summer spectacular, perform some wildly erratic tap dance routines, to an easy-listening arrangement of a popular hit of the day. The audience goes wild, obeying, without question, the cardboard instructions of a gopher or grip or summat)
(Signature tune of your choice... No sod it! It's my choice... A rollicking Tex-Mex rendition of "Roll Out The Barrel"! Enter Craig Hearn. He stands there grinning through his beard, looking just like
Rabbithole Sam)
(Huge amounts of prompted audience laughter - "We'll have to stop meeting like this!" is Craig Hearn's catchphrase!)
(Footsteps stage right, it says here... although really, it doesn't matter which side of the stage you come on... and it's not as if this bookweb
page is available in stereo... anyway, along
comes Someone With A Hoover)
SOMEONE WITH A HOOVER: Sorry Guv! The producer told me to start cleaning up ready for the Miss Universe competition...
CRAIG HEARN: The Miss Universe competition? We'll have to stop meeting like this! (laughter)
SOMEONE WITH A HOOVER: (to Craig) Are you Miss Venezuela?
CRAIG HEARN: No I'm not! I'm Craig Hearn and tonight is Friday night... and "Friday Night Is Skelton Night"!
SOMEONE WITH A HOOVER: You mean the Skelton Twins are on this show? Ooh! I'd love to meet the Skelton Twins... My daughter's got all of their records... Her room's plastered with Skelton Twins posters... and she's got four goldfish... and you know what they're called?
CRAIG HEARN: Alright... What are they called?
SOMEONE WITH A HOOVER: Heh heh heh! The Skelton Twins! (audience laughter)
CRAIG HEARN: Who are you then?
(audience laughter, ripple of applause, as Someone With A Hoover reveals
his true identity)
RONNIE "SOMEONE WITH A HOOVER" SKELTON: The old town looks the same!
CRAIG HEARN: Ladies and gentlemen, it's Ronnie Skelton!... (applause) We'll have to stop meeting like this! Hi Ronnie!
RONNIE "SOMEONE WITH A HOOVER" SKELTON: (sophisticated) Hi Craig!
CRAIG HEARN: Where's Ronnie, Barry and Barry?
(Laughter and applause as the three remaining Skelton Twins have now arrived on stage, humming "The Old Town Looks The Same" and
dressed as Miss Universe contestants)
BARRY A. SKELTON: (fake American accent) Ah'm Miss America an' ah wanna be a social worker!
BARRY B. SKELTON: (phony Chinese accent) Me Miss People's Lepubric o' China and I wan'be socialist worker!
RONNIE "THE OTHER ONE" SKELTON: (assuming northern brogue) I'm Miss Barnsley and I work at t'social cloob!
(The audience wets itself with laughter)
(Striptease music and peels of laughter)
(Generous applause - Exit Craig Hearn)
BARRY B. SKELTON: Y'know Ronnie... This theatre's seen some great stars on stage in its time...
RONNIE "SOMEONE WITH A HOOVER" SKELTON: Yeah, there's us for a start! (laughter and applause)
BARRY B. SKELTON: Real stars, Ronnie... people like Vesta Tilley, Ruby Murray, Tennessee Ernie Ford, The Beatles, Gerry & The Pacemakers, Thomas "Tosser" Covenant, Blagdon the Giraffe Man...
RONNIE "THE OTHER ONE" SKELTON: The good old days, Barry, when the music hall reigned supreme!
BARRY A. SKELTON: It just so happens, I've got my spoons with me... (laughter)
RONNIE "SOMEONE WITH A HOOVER" SKELTON: Let's sing then... an old number made famous by the great Joseph "Barrer Boy" Robey... "Daddy Wouldn't Buy Me A Monkey"! Barry! Whirl those spoons!
ALL OF THE SKELTON TWINS:
(singing, with spoon accompaniment)
Daddy wouldn't buy me a monkey... Monkey!
Daddy wouldn't buy me a monkey... Monkey!
I've got a stetson hat
And I'm always wearing that,
But I'd rather have a mu-hunkey!
'Ave a banana!
Eek eek!
(Stirring ovation - which is appropriate for a number featuring spoons)
(Band strikes up a "funky" beat... That's Preset No 9 on your Casios, chaps! Exit The Skelton Twins to suitable applause. Enter
Martin Kennedy, dressed just like the cover of "Five Million Elvis Fans Can't Be Wrong... Or Can They?")
(sung with swing, mid-Atlantic sophisticate style)
Oom Chugaluggalugga!
Oom Chugaluggalugga!
Duh Duh Derder Der!
Oom Chugaluggalugga!
Oom Chugaluggalugga!
Duh Duh Derder Der!
Funky lady on Sunset Boulevard,
Breakdance a-gogo,
Down in the schoolyard! Duh Duh Derder Der!
She was working down in Vegas,
As a hat check girl at night,
In the Go Go Club A-Go-Go,
She was really outta sight!
Duh Duh Derder Der!
Noo Yawk! Noo Yawk!
Chicago and LA!
Airline disco hostess,
Strut your stuff okay!
Oom Chugaluggalugga!
Oom Chugaluggalugga!
Duh Duh Derder Der!
Oom Chugaluggalugga!
Oom Chugaluggalugga!
Duh Duh Derder Der!
Chuggalug Chug Chug!
Lug Lug A-Chug Chug!
(spoken) Let's fly to the moon, Funky woman! Yeah!
(Ecstatic, rupturous applause)
(The band strike up a rousingly syncopated latin waltz-meringue rhythm)
Eating wasps
Is a stoopid thang
To do
Yes!
In Monte Carlo
Where the girls wear tight bikinis
And gamblers
Eat wasps
It's the thang
To do near the Mediterranean beach
They named it twice!
Yeah!
(The audience goes ape! Enter Craig Hearn, who embraces a departing Martin Kennedy)
(More of dat ol' applause - Enter Lewis Brainleg)
(Enter from the auditorium, Tracey Zenzagadinski, Roland Rock and Dennis Saturn-Five, three extraordinarily ordinary members of the public)
TRACEY ZENZAGADINSKI: Tracey Zenzagadinski, Lewis...
LEWIS BRAINLEG: Hello Tracey! Is that "Zenzagadinski" with an "I"?... Uh huh? And your name, sir?
ROLAND ROCK: Roland Rock, Lewis...
LEWIS BRAINLEG: Hello Roland... and finally?
DENNIS SATURN-FIVE: Um... Dennis Saturn-Five...
LEWIS BRAINLEG: Hello Dennis! You're not one of the NASA Saturn-Fives by any chance, are you?
DENNIS SATURN-FIVE: Um... no, Lewis...
LEWIS BRAINLEG: Ah lovely... Right, okay... Now see these large egg cup contraptions that my lovely assistant Geranium has placed on the stage?... Please could you each get under one of the cups?
(The volunteers each climb under a plastic cup)
(Polite laughter. The three egg cups bump around on the stage, propelled by the victims within. The band play a few bars of the theme from the popular "Snilto The Boiled Egg" cartoon. The music stops and the
egg cups line up in a suspiciously orderly manner.)
(Bewildered applause as Roland Rock emerges from beneath Egg Cup No.1)
ROLAND ROCK: Um.. my name is Roland Rock...
LEWIS BRAINLEG: Ah! But I believe you perform in local pubs under the name of Tracey?
ROLAND ROCK: You're right, Lewis! (applause)
LEWIS BRAINLEG: (knocking on Cup No.2) Dennis! Please come out!
(Tracey emerges from Cup No.2)
TRACEY ZENZAGADINSKI: Tracey Zenzagadinski, Lewis!
LEWIS BRAINLEG: Thank you, Tracey... But it may come as a surprise to you that your mother did actually want a little boy, called Dennis... What's the name of your mother's parrot, Tracey?
TRACEY ZENZAGADINSKI: Um... Dennis?
LEWIS BRAINLEG: Thank you... Thank you! (applause) ...And of course, in Egg Cup No.3... Come out, Delia Mulholland!
DENNIS SATURN-FIVE: But I'm Dennis, Lewis...
LEWIS BRAINLEG: Ah... but my pet name for you is Delia Mulholland... A big hand for our brave volunteers, please folks... Good night... And always remember, the Duke of Clarence was born on a Wednesday.... Thank you!
(tumescent Tumultuous applause. Enter Craig Hearn)
(Enter, to massive applause, because he's very popular around here, the great Captain Fobbo. He carries a fifties-style plastic hoopla
hoop and speaks in what is supposed to be a Latvian accent)
(Embarrassing pause... Eventually, enter Unpity the Hunchbacked Rag Doll, dressed in wellies, fishing hat and carrying a fishing rod. He walks up to Fobbo and whispers in his ear)
(Unpity once again whispers something in his ear)
(Music starts, but still no one comes up from the audience. He prances around gesticulating strangely to the music - still no volunteers.)
(He does a strange mime, involving an imaginary goat being milked. The crowd goes wild, because he's very popular around here.)
(Exit Captain Fobbo to enormous applause. Enter the Skelton Twins.)
BARRY A. SKELTON: (sings) We are The Skelton Twins!
OTHER SKELTONS: (singing in contradictory harmonic unison) Hmmm hmmmmmm!
BARRY B. SKELTON: (sings) And we've all got double chins!
OTHER SKELTONS: (Berber-shop) Hmmm hmmmmmm!
RONNIE A. SKELTON: (sings)
And we want to sing some songs for you,
Some very old, some very new...
RONNIE B. SKELTON: (sings)
...To bring back memories, sweet as dew...
ALL SKELTONS HEREBY PRESENT:
(sweet as yer like)
For we are
The Skelton
Twins!
Hmmm hmmmmmmm!
(Massive applause. A Skelton counts in the next rousing number.)
This is the dawning of the Age of Aquariouse,
Age of Aquariouse, Age of Aquariouse!
Aquariouse! Aquariouse!
Poverty and understanding,
Da da dum der dum dum!
Aquariouse!
Waddya wanna make those eyes at me for?
When you don't mean what they... Aquariouse!
You make me glad,
You made me sad,
You make me bad,
You made me mad, Aquariouse!
Aquariouse!
Seventy six trombones in the big parade,
A hundred and two cornbreads at the rear,
When they don't mean what they say!
She wore a brand new jersey,
Aquariouse!
Hmm hmmmmmmmmm!
Cragg-ed lirrapet
With pipes and chalk hargens!
Yeah babe!
And no messin'!
That centipede done got me
And bit me on the leg,
Giraffe, okapi, pangolin
A lamb called Fortesque...
There is a special snail in New Orleans
And a rhino with a neck!
I'm gonna race you to Los Angeles,
Till my gecko goes to heck
And my gello goes to hell! Aquariouse!
Hmmmm! Hmmmm! Yeah!
(Massive applause. Barry A. Skelton steps up to the microphone. Other Skeltons leave the stage)
(Exit Barry A. Skelton to applause. On comes Cyril Teague, dressed in East German-surplus greatcoat, fur hat and boots)
(He makes very hectic swimming motion with arms)
(Applause - He turns his back and puts on a false clown's red nose, as worn by false clowns, and puts a pipe in his mouth. He turns to face
audience and gestures in a peculiar manner of his own choosing)
(Exit to some applause, Cyril Teague. The Skeltons come on and thank him with handshakes and showbizzy backslaps. Isn't this stuff sickening?)
BARRY B. SKELTON: Yeah right, Barry! Do you remember what mother did about that?
BARRY A. SKELTON: Yeah! She colour-coded us! You and Ronnie were green... and me and Ronnie were green!
RONNIE A. SKELTON: Yeah! Mother was colour blind! (laughter)
RONNIE B. SKELTON: Can you remember that song that Max taught us, when we were in Bristol?
BARRY A. SKELTON: Yeah! Let's sing it lads!
OMNES SKELTON: (sung)
Hmm Hmmmmmmm!
I'm a green toothbrush,
You're a green toothbrush,
We're all green toothbrushes... toogevvaaaahh!
He's a green toothbrush,
I'm a green toothbrush,
We must be birds of a... fevvaaaaahhhhh!
No matter what the... wevvaaaahhhhh!
We're gonna stay... toogevvaaahhh!
What evvaaahhh!
For evvvaaaahhhhh!
Hmmm!
The old town looks the same! (applause)
The old town looks the same,
As I step daahhhn from the train,
And there to meet me
Is maaaahhh mama and papa,
Down the lane I walk
And there runs Mary,
Hair of the dog
And lips like citrus fruit,
It's good to crush the green green grass of
Hooooommmmmmme! Hmmmm!
RONNIE B. SKELTON: (spoken over hummed accompaniment)
And then I awake where you found me
And see four great walls that's around me
And the Padre comes in for a game of cards,
Then they hang me...
SKELTONS ALL: (sing)
Oh! It's good to nudge the green green grass of hooommme!
Hmmmm Hmmm!
(pause for applause)
LOS QUATRO SKELTONS: (sung)
Put your hands in the air!
Jump about without a care!
I've left my worries at the station!
I'm off on three weeks staff vacation!
In the sunshine,
When the sea's warm
And you don't have
To fill in a tax form,
Sipping on Bacardi rum,
Talking to your girlfriend's mum
Having fun fun fun
In the sun sun sun!
Señorita, will you dance
The tango?
In the sunshine,
Where the sea's warm,
Piña Coladas
Will make the girls swarm...
Oh girl! Will you share the pilla
In my rented Spanish villa?
Hey Hey Hey!
Cha-cha Cha Olé!
Señorita...
Will you dance
The tango?
Olé! (applause)
BARRY A. SKELTON: (spoken) El marimba della Canolta Barthalona el Denny Travers y ses Orquestra!
RONNIE A. SKELTON: What does that mean, Barry?
BARRY A. SKELTON: It means... I'm pleased to introduce Denny Travers and the band... Take it away fellas! Heh heh heh!
(The Skeltons leave the stage. The band strikes up a cornball arrangement of "The Girl From Ipanema", incorporating lots of really dumb percussion soloing. They receive a not-particularly-big round of applause... not too many 'shipyard percussion' fans in tonight. Re-enter The Skelton Twins)
BARRY B. SKELTON: (ahem... singing) The old town looks the same! (laughter)
RONNIE B. SKELTON: Heh heh heh! Let's hear it for the man with the self-concious beard, a great host and a great asset to any show... Mr Craig Hearn... Yeah!
(Enter Craig Hearn to generous applause)
RONNIE A. SKELTON: You're the compère, Craig! It's up to you to keep this crazy show in order!
CRAIG HEARN: It would take the cavalry to keep this mob in order! Heh heh heh!
(Audience laughter - FX: Cavalry charge and trumpets from backstage - Loads of clomping feet on wooden boards)
RONNIE B. SKELTON: It's the cavalry, Craig!
(Shrieks or even sheikhs of laughter - Mad chaotic scrabbling)
(Horrible frantic 'slapstick'/'knockabout'/'zany'/'wacky' music, as curtain goes down)
(...and that's
the end of the interludal entertainment - "Nice day for it,"
thought Nancy... THERE'S A WHOLE OTHER ACT TO GO YET!)
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